The City of Ember (Books of Ember)

• ISBN13: 9780385736282
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

NOW A MAJOR motion picture starring Bill Murray, Tim Robbins, Martin Landau, Saoirse Ronan, and Harry Treadaway! This tie-in edition of The City of Ember features a movie-art cover and an 8-page photo insert. Jeanne DuPrau’s instant classic tells the story of the great, underground city of Ember, designed as a last refuge for the human race. But when the storerooms run out of food and the lights begin to fail, it’s up to two teens, Lina and Doon, to decipher the fragments of an ancient parchment and find a way out of Ember.It is always night in the city of Ember. But there is no moon, no stars. The only light during the regular twelve hours of "day" comes from floodlamps that cast a yellowis! h glow over the streets of the city. Beyond are the pitch-black Unknown Regions, which no one has ever explored because an understanding of fire and electricity has been lost, and with it the idea of a Moveable Light. "Besides," they tell each other, "there is nowhere but here" Among the many other things the people of Ember have forgotten is their past and a direction for their future. For 250 years they have lived pleasantly, because there has been plenty of everything in the vast storerooms. But now there are more and more empty shelves--and more and more times when the lights flicker and go out, leaving them in terrifying blackness for long minutes. What will happen when the generator finally fails?

Twelve-year-old Doon Harrow and Lina Mayfleet seem to be the only people who are worried. They have just been assigned their life jobs--Lina as a messenger, which leads her to knowledge of some unsettling secrets, and Doon as a Pipeworker, repairing the plumbing in th! e tunnels under the city where a river roars through the darkn! ess. But when Lina finds a very old paper with enigmatic "Instructions for Egress," they use the advantages of their jobs to begin to puzzle out the frightening and dangerous way to the city of light of which Lina has dreamed. As they set out on their mission, the haunting setting and breathless action of this stunning first novel will have teens clamoring for a sequel. (Ages 10 to 14) --Patty Campbell

City of Ember is now a major motion picture (releasing in October 2008) starring Bill Murray, Tim Robbins, Martin Landau, and many more. Enjoy these images from the film, and click the thumbnails to see a larger image in a new browser window.

Read more »

Bucky Larson : Born To Be A Star Movie Poster Double Sided Original 27x40

• The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint, . It is packaged carefully in a sturdy tube. These posters Will be shipped via USPS Priority Mail

It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits ! in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his ! massive under-equipment and contingent hair trigger gain him e! xactly t he kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryIt's an odd state ! of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a ! giant mutated gopher. He's an Iowa farm boy with hayseeds perm! anently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dor! ff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mailAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears! or rips or holes in the poster and it never been hung or disp! layed. P osters to be send thru USPS priority mail

Read more »

Papa ¿ Porque te fuiste? (Hard Goodbyes: My Father)(Dhiskoli Apoheretismi: O Babas Mou) NTSC / Region 1 & 4 Import-Latin America

• Death of a Parent
• Fantasy Life

Elias , un niño de 10 años, que vive en Atenas, hace un pacto con su padre para ver el primer aterrizaje del hombre en la luna. Los dos se cuentan historias sobre Julio Verne y de los vuelos hechos en su imaginacion. Ellos son hombres de aventuras y exploradores. Pero las barras de chocolate dejadas por un padre ausente a lo largo de muchos viajes de trabajo se han acumulado, mientras la cuenta regresiva para el aterrizaje a la luna ha iniciado. Es el año de 1969. Una nave espacial ha despegado y el hombre ha dejado el planeta Tierra. Tambien el padre de Elias. Es la imaginacion y el amor que comparten al contar historias lo que permite a Elias trascender y superar lo inimaginable. Esta es una pelicula como tributo a nuestros padres. Penny Panayotopoulou's debut feature, Dhiskoli Apoheretismi: O Babas Mou (Hard Goodbyes: My Father), is a drama about an Athenian family coping with a death. In May 1969, ten-year old Elias (Giorgos Karayannis) is obsessed with the possibility of man landing on the moon and dreams up outrageous fantasy lives. When his father dies unexpectedly, he creates an elaborate fantasy that allows the father to stay alive in the boy's mind. His older brother and his mother have their own techniques for dealing with the tragedy. Hard Goodbyes: My Father was screened at the Locarno Film Festival, where Karayannis was awarded the Best Actor citation.

Read more »

Casablanca (Two-Disc Special Edition)

• 2003 - Casablanca - 60th Anniversary - DVD Set
• 2-Disc Special Edition - Rated PG - Bonus Materials
• Humphrey Bogart, Ingrid Bergman, Claude Rains
• Standard Version - 102 Minutes - Oscar Winner
• Collectible - Warner Bros. - Classic

Casablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one, especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more - personal happiness or countless lives hanging in the balance.CASABLANCA:SPECIAL EDITION - DVD MovieA truly perfect movie, the 1942 Casablanca still wows viewers today, an! d for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghNo description available for this title.
Item Type: BLU-RAY DVD Movie
Item Rating: NR
Street Date: 09/15/09
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Rel! ease: no
Packaging: SleeveA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghStudio: Warner Home Video Release Date: 02/02/2010 Run time: 116 minutes Rating: GThe story of a struggle among individuals who have sought refuge in Casablanca after fleeing Nazi occupied E! urope.
Genre: Feature Film-Drama
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghRICK BLAINE, A CALLOUS NIGHTCLUB OWNER IN A WARTIME WAYSTATION, HAS HIS WORLD TURNED UPSIDE DOWN WHE! N HIS LOST LOVE, ILSA,RETURNS.

Read more »

A History of Violence [Blu-ray]

• An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929037926 UPC: 883929037926 Manufacturer No: 1000042712

Violence is so much in the news today that we may find it hard to believe that it is less prevalent than it was in the past. But this is exactly what the distinguished historian Robert Muchembled argues in this major new work on the history of violence. He shows that brutality and homicide have been in decline since the thirteenth century. The thesis of a ‘civilizing process', of a gradual taming, even sublimation, of violence, seems, therefore, to be well-founded.

How are we to explain this decline in public displays of aggression? What mechanisms have modernizing societies employed to repress and control violence? The increasingly ! strict social control of unmarried, male adolescents, together with the coercive education imposed on this age group, are central to Muchembled's explanation. Masculine violence gradually disappeared from public space, to become concentrated in the home. Meanwhile, a vast popular literature, precursor of the modern mass media, came to play a cathartic role: the duels of The Three Musketeers and the amazing exploits of Fantômas, as described in the new crime literature invented in the nineteenth century, now helped to purge the violent impulses.

And yet we seem, in the first few years of the twenty-first century, to be witnessing a resurgence of violence, especially among the youths of the inner cities. How should we understand this resurgence in relation to the long history of violence in the West?

An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner.On the surface, David Cronenberg ! may seem an unlikely candidate to direct A History of Viole! nce, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A H! istory of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff Shannon

Read more »

Ghost Rider: Travels on the Healing Road

• ISBN13: 9781550225488
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Based on the Marvel Comics character, stunt motorcyclist Johnny Blaze gives up his soul to become a hell-blazing vigilante, to fight against power-hungry Blackheart, the son of the devil himself.

• Product Measures: 0.5 x 5.5 x 7.5

Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the Easy Rider himself Peter Fonda, amusingly cast as ! Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

Stills from Ghost Rider (cli! ck for larger image)

!

Beyond Ghost Rider on Amazon.com

On Blu-ray

CD Soundtrack

Ghost Rider: Road To Damnation Graphic Novels

In less than a year, Neil Peart lost both his 19-year-old daughter, Selena,! and his wife, Jackie. Faced with overwhelming sadness and iso! lated fr om the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of loss and directionlessness that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again. He had needed to get away, but had not really needed a destination. His travel adventures chronicle his personal odyssey and include stories of reuniting with friends and family, grieving, thinking, and reminiscing as he rode until he encountered the miracle that allowed him to find peace.

Read more »

Bringing Down The House (Full Screen Edition)

• The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshell lawyer in an on-line chat room and they make a date. Expecting his

#1 National Bestseller!

The amazing inside story about a gambling ring of M.I.T.students who beat the system in Vegas -- and lived to tell how.

Robin Hood meets the Rat Pack when the best and the brightest of M.I.T.'s math students and engineers take up blackjack under the guidance of an eccentric mastermind. Their small blackjack club develops from an experiment in counting cards on M.I.T.'s campus into a ring of card savants with a system for playing large and winning big. In less than! two years they take some of the world's most sophisticated casinos for more than three million dollars. But their success also brings with it the formidable ire of casino owners and launches them into the seedy underworld of corporate Vegas with its private investigators and other violent heavies.

Filled with tense action, high stakes, and incredibly close calls, Bringing Down the House is a nail-biting read that chronicles a real-life Ocean's Eleven. It's one story that Vegas does not want you to read.The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshell lawyer in an on-line chat room and they make a date. Expecting his soul mate, he opens the door and finds himself face-to-face with Cha! rlene (Latifah) -- a wild and crazy soul "sister" who's just e! scaped f rom prison and wants Peter to clear her name. But Peter wants absolutely nothing to do with her, and that prompts Charlene to turn Peter's perfectly ordered life totally upside down. Hysterical complications abound and Peter soon finds out he may need Charlene just as much as she needs him. It's a houseful of fun your family will enjoy again and again.The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, a hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exuberant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register.! Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer

Read more »