Brooklyn's Finest

• BROOKLYN'S FINEST (DVD MOVIE)

Experience the volatile and deadly world of one of New York's most dangerous precincts through the eyes of the men and women pledged to protect and serve. Starring Golden Glober winner Richard Gere, Oscarr nominee Don Cheadle, Oscarr nominee Ethan Hawke, and Wesley Snipes, Brooklyn's Finest 'grabs you and doesn't let go until the final frame' (Mike Sargent of WBAI Radio). When NYPD's Operation Clean Up targets the notoriously drug-ridden BK housing project, three conflicted New York City police officers find themselves swept away by the violence and corruption of Brooklyn's gritty 65th Precinct and its most treacherous criminals. Each man finds himself spiraling toward the same fatal crime scene and a shattering collision with destiny in this action-packed crime drama directed by Antoine Fuqua (Training Day).Fans of the grit of HBO's The Wire, as well ! as of the mean-streets story intersection plot of Crash, will find a lot to like in the intense crime drama Brooklyn's Finest. Directed by Antoine Fuqua (Training Day) with a sure hand, Brooklyn's Finest follows three NYPD cops who come from very different places (geographically and personally) as their lives, and the compromises they have made daily to coexist with the mean streets of Brooklyn, dovetail to a climax that will have viewers on the edge of their seats. Fuqua has assembled a stellar cast here, including Richard Gere, a veteran cop just a week from retirement; the always amazing Don Cheadle, an undercover officer whose loyalties to the force may be compromised by his growing loyalties to the groups he's infiltrating; and the film's true revelation, Ethan Hawke, a young corrupt cop whose morals make the stomach turn, though Hawke's performance is nuanced and riveting. Supporting cast members include Wesley Snipes as a badass ga! ngster whom even the police have second thoughts about messing! with. O ther great performances are turned in by Vincent D'Onofrio, whose wooden delivery works here to make his character all the more menacing; Lili Taylor; and a ravishing, world-weary Ellen Barkin. The action is propelled along by the great performances, the excellent cinematography, Fuqua's deft direction, and the moody score by Brazilian composer Marcelo Zarvos. If the plot is a little far-fetched, even for a crime drama, the stellar performances more than make up for it, making Brooklyn's Finest one of Fuqua's, and certainly Hawke's, finest.

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The Farmhouse: New Inspiration for the Classic American Home

• ISBN13: 9781561588749
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Seeking a new home and a fresh start, a married couple traveling to Seattle is involved in a scary car accident...but, that's nothing compared to the brutally harsh detour they're about to take into America's most horrifying heartland! The husband and wife are quickly taken prisoner by the owners of a farm that's every gory bit the envy of Farmer Vincent or the Leatherface clan. Steven Weber, Kelly Hu star. 95 min. Soundtrack: English; Subtitles: Spanish.

Farmhouses evoke nostalgic memories--real or imagined--of a simpler life and a deep, nourishing connection to the seasons and the land. While most of us don't live that way anymore, we all share ! a longing for the values that this classic American house form represents.
So what makes a true American farmhouse? A farmhouse is intimately connected to the land and all its seasons, dominates a community of buildings, and is built to last using natural, indigenous materials. These are the core qualities of the farmhouse style, whether old or new.
From a working farm on Martha's Vineyard to a horse ranch in Washington State, this remarkable collection of 20 new and remodeled farmhouses celebrates the best American farmhouses built in the past five years. Over 300 photographs beautifully illustrate these homes, and the accompanying site and floor plans, historical sidebars, and up-close details add depth to this rich collection.
With this ground breaking book, America's quintessential house style is reinvented for the 21st-century family.

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EDtv : Widescreen Edition

• Widescreen

Matthew McConaughey is a good-natured video store clerk whose life is turned upside-down when he agrees to "star" in a 24-hour-a-day reality TV program conceived by producer Ellen DeGeneres. The show turns into a national hit, but his family's problems become public and his new romance with his brother's girlfriend is threatened. With Woody Harrelson, Jenna Elfman, Rob Reiner, Elizabeth Hurley; directed by Ron Howard. 124 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround; audio commentary by Howard, others; biographies; "making of" featurette; outtakes; deleted scenes; music videos; theatrical trailers; more.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a! special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, t! he movie is a mess. It looks as if the filmmakers had the choi! ce betwe en making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeThe third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervas! ive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's ! decent fun. --David Kronkedvd

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American Zombie

• Filmmakers Grace Lee ( The Grace Lee Project ) and John Solomon ( Nonsense Man ) team up to shoot a documentary about high-functioning zombies living in Los Angeles and their struggles to gain acceptance in human society.Despite their wildly different working styles, Grace and John manage to chronicle the hopes and dreams of four fascinating subjects: IVAN, a convenience-store clerk who longs for

Filmmakers Grace Lee ( The Grace Lee Project ) and John Solomon ( Nonsense Man ) team up to shoot a documentary about high-functioning zombies living in Los Angeles and their struggles to gain acceptance in human society.Despite their wildly different working styles Grace and John manage to chronicle the hopes and dreams of four fascinating subjects: IVAN a convenience-store clerk who longs for a career in publishing; LISA a florist trying to recover her lost memories; JUDY a hopeless romantic who le! arns to accept her true nature; and JOEL (pronounced Yo-El ) a committed political activist striving for zombie rights. As Grace strives to get to know the zombies on their own terms John is eager to uncover their darker side and rallies to get the crew permission to shoot at a three-day zombies-only retreat called Live Dead where the documentary takes an unexpected and dangerous turn. What transpires there is beyond anything the filmmakers could imagine as they are forced to re-evaluate their ideas about tolerance identity politics and the future of the human race.Format: DVD MOVIE Genre: HORROR/COMEDIC HORROR UPC: 881394105027 Manufacturer No: CLS1050

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Celebrity

• A reporter (Kenneth Branagh) assigned to the celebrity beat finds himself on a collision course with four of the most outrageous people he"s ever met: a sensuous starlet (Melanie Griffith), an-out-of-control movie star (Leonardo DiCaprio), an aspiring actress (Winona Ryder) and a sexy supermodel (Charlize Theron). Together they"re going to take him for an unforgettable walk on the wild side of fam

Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to h! is alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writ! es about their foibles in thinly disguised fiction. No wonder ! they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and! cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettHUSBANDS AND WIVES - DVD MovieIn 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few ! months later, Allen released this film, starring himself and F! arrow ac ting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis). It turned out to be one of Allen's most lacerating comedies, a story about the fragility of relationships and the foolishness of older men seeking to recapture their youth with younger women. It features strong performances by Judy Davis, Liam Neeson, and director Sydney Pollack, as a friend of Allen's who chucks his longtime wife for an aerobics instructor, thus planting seeds of marital dissolution in all of his friends' heads. Husbands and Wives provided an uncanny peek into Allen's image of himself and his personal life, despite all of his protestations to the contrary. --Marshall FineMira Sorvino won an Oscar for her performance as a bubbleheaded hooker and porn star who happens to be the mother of a bright young boy adopted by a Manhattan couple (Woody Allen and Hel! ena Bonham Carter). The story finds Allen's sportswriter character becoming curious about the identity of his son's biological mom, and he strikes up a relationship with her without revealing why. This 27th feature written and directed by Allen is a nice combination of smart comedy and some of the wackier energy of his earliest movies. (Between scenes, there's a running gag involving a Greek chorus--actually filmed among some real Greek ruins--who do song-and-dance interpretations of the script's events.) This isn't Allen at his best, but it is a fine minor work graced by Sorvino's spin on the cinema's archetypal dumb blonde. --Tom KeoghWith an incredible all-star cast, this critically acclaimed comedy takes a hysterical look at the pleasures and pitfalls of fortune and fame! Following their divorce, the lives of a restless writer and his inhibited ex-wife take off in outrageously unpredictable directions! While Lee (Kenneth Branagh -- HAMLET, OTHELLO) explores the w! ilder side of his newfound freedom, Robin (Judy Davis -- DECON! STRUCTIN G HARRY) begins an improbable transformaiton from neurotic schoolteacher to high-profile T.V. talk show host! Whether it's partying with supermodels, sexy encounters with movie stars, or interviews with the cream of high society, CELEBRITY offers you a riotous excuse to rub shoulders with the kind of people we all love to celebrate!Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a! bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others.

While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's also another in a long line of unlikable male protagonists that Allen has created, as if daring audience! s to hate his main characters after loving them in such movies! as M anhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film.

Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own wedding, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both e! pisodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart

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Blessed Is the Match: The Life and Death of Hannah Senesh

• BLESSED IS THE MATCH (DVD MOVIE)

In 1944, 22-year-old Hannah Senesh parachuted into Nazi-occupied Europe with a small group of Jewish volunteers from Palestine. Theirs was the only military rescue mission for Jews that occurred in World War II.

Narrated by Academy Award® winner Joan Allen, the multi-award-winning BLESSED IS THE MATCH follows the remarkable journey of this young Hungarian poet and diarist, paratrooper and resistance fighter. Told through Hannah s letters, diaries, and poems, her mother s memoirs, and the recollections of those who knew and loved her (including two of her fellow parachutists), the film traces her life from her childhood in Budapest to her time in British-controlled Palestine where she was drawn by the Kibbutz Movement that sought to build an independent Jewish state to her daring mission to rescue Jews in her native Hungary.

Both devastating an! d inspiring, BLESSED IS THE MATCH offers an intimate portrait of a singularly talented, courageous and complex girl who believed that one person could be a flame that burns brightly in even the darkest hours.

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Rodrick Rules (Diary of a Wimpy Kid #2)

• ISBN13: 9780810994737
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Greg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should come as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the rela! tionship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experience to see the cartoon stick figures from the book morph into human forms in the live-action film, director David Bowers and actors Zachary G! ordon, Devon Bostick, Robert Capron, and Rachael Harris do a g! ood job of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami Horiuchi

Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.

As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular. Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.

Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the haza! rds of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.

 

The highly anticipated sequel to the #1 New York Times bestselling book!

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Boss CH6520 Chaos Series 6.5-Inch 2-Way Speakers (Pair)

• 3/4" Mylar Dome Tweeter
• 250 Watts Peak Power
• Poly Coated Paper Cone
• 30 oz. Magnet Structure
• Freq. Response 100Hz-18Hz

Boss Audio CH6520 Chaos Series 6.5" 2-way Speaker

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Black Sheep (Unrated)

• An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm. Format: DVD MOVIE Genre: HORROR Rating: NR Age: 796019805704 UPC: 796019805704 Manufacturer No: 80570

An aspiring gubernatorial candidate tries very hard to keep his bumbling brother out of the limelight and from helping with his campaign.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 16-JUL-2002
Media Type: DVDBLACK SHEEP - DVD Movie

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Steven Seagal Collection: 4 Film Favorites - Under Siege / The Glimmer Man / Above the Law / Fire Down Below

• Under Siege The Glimmer Man Above the Law Fire Down Below Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085391174226 UPC: 085391174226 Manufacturer No: 117422

EPA Marshal Taggert tries to ferret out who is responsible for dumping toxins into abandoned mines and why the locals don't talk about it.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDHere's a movie that only a Steven Seagal fan could love. It's not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who'! s using abandoned mines to dump toxic waste. Along with an ecological message, Seagal serves up several broken limbs, cracked skulls, and bloody noses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff ShannonFIRE DOWN BELOW/OUT FOR JUSTICE/ON DE - DVD MovieHere's a movie that only a Steven Seagal fan could love. It's not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who's using abandoned mines to dump toxic waste. Along with an ecological message, Seagal! serves up several broken limbs, cracked skulls, and bloody no! ses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff Shannon 4 FILM FAVORITES:STEVEN SEAGAL - DVD Movie

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An Education

• SOUNDTRACK AN EDUCATION

When jenny a bright young school girl who longs for adulthood meets david a dashing older man he introduces her to his world of glamorous friends chic jazz clubs and her own sexual awakening. Will she let this affair ruin her dreams of attending oxford as her headmistress fears? Studio: Sony Pictures Home Ent Release Date: 03/30/2010 Starring: Carey Mulligan Alfred Molina Run time: 100 minutes Rating: Pg13 Director: Lone ScherfigEDUCATION - Blu-Ray MovieA young girl seduced by an older man may be a common story, but An Education is no common movie. As Jenny, a precocious middle-class British schoolgirl charmed by a small-time criminal, newcomer Carey Mulligan is luminous; her face can be plain and beautiful at the same time, her eyes expressing a restless intelligence and a hungry soul. As David, the seducer, Peter Sarsgaard (Year of the Dog, Gar! den State) gives yet another rich, thoughtful performance. The script, adapted by Nick Hornby (whose novels High Fidelity and About a Boy have been made into movies), is full of unexpected details that bring every moment to life. Director Lone Scherfig (Italian for Beginners) has made sure that every character is vivid and real; even seemingly minor moments have texture and vitality. The supporting cast--including Alfred Molina, Emma Thompson, Cara Seymour (Adaptation), Dominic Cooper (The History Boys), and Olivia Williams (Rushmore)--is simply impeccable. In a small but memorable part, Rosamund Pike (Die Another Day) shows an unexpected (and marvelous) comic side. In short, An Education is a funny, smart, and compassionate movie that will launch a great career for Mulligan and be a jewel on the filmographies of everyone involved. See this movie. --Bret Fetzer


Stills f! rom An Education (Click for larger image)

!

The inspiration for the award-winning motion picture: "Candid, unsentimental and extremely funny. I read it in one glorious go, laughing and crying throughout."â€"Zoë Heller

When Lynn Barber was sixteen, a stranger in a maroon sports car pulled up beside her as she was on her way home from school and offered her a ride. It was the beginning of a long journey from innocence to precocious experienceâ€"an affair with an older man that would change her life. Barber! ’s seducer left her with a taste for luxury hotels and posh ! restaura nts and trips abroad, expensive habits that she managed to support in later life as a successful London journalist whose barbed interviews at once terrorized and fascinated her smart-set subjects.

A poignant, shockingly candid account of the stages in a literary lifeâ€"from promiscuity at Oxford to a stint at Penthouse to a complex marriage that enduredâ€"An Education is a classic of English memoir.SINGLE MAN - DVD MovieColin Firth gives the performance of a lifetime in A Single Man, a drama directed and adapted for the screen by fashion designer Tom Ford, who clearly has a deft vision and ability in the world of film as well. A Single Man is based on a novel by Christopher Isherwood, and Ford's--and Firth's--gift is bringing the inner-turmoil world of the novel to believable, and devastating, life on the screen. Firth may be best known as a dashing romantic-comedy hero (Pride and Prejudice, the Bridget Jones films), but in A Single Man he demonstrates nuance and depth that will stay with the viewer long after the film is over. Firth plays George, a gay British professor, living a life of true, if closeted, bliss with his partner, Jim (Matthew Goode), in the straitlaced early '60s. When Jim dies suddenly at the beginning of the film, George wrestles with how to go on without his true love--and with never being able ever to express his grief openly. The film flashes back to scenes of George and Jim and their dogs, scenes awash in warm tones, and then forward to the present, shot in subtle sepia tones that show joy has disappeared from George's life. Yet there are flashes of hope and feeling: one brief scene--showing George's seeing a dog similar to one the couple had owned, and drawing his face close to the dog's for a familiar and comforting scent--lasts but a moment yet resonates that grief and loss are felt the same by everyone, no matter what they have lost. A Single Man's cast also includes Julianne Moore, playin! g a comp lex role as George's best friend and long-ago lover--one of the only people on the planet who can know all that George is going through, yet with vast vulnerabilities of her own. Nicholas Hoult plays a student who reaches out to George, saying, "I guess I just thought you looked like you could use a friend." But it's Firth who triumphs in the film, and who drives the complex emotions--all true, all rewarding--that hold A Single Man aloft and give it its impact. A Single Man can hold its own against Brokeback Mountain as a story of love and loss that transcends any single genre. --A.T. Hurley


Stills from A Single Man (Click for larger image)

The Education score is by Paul Englishby. It features 'Smoke Without Fire' performed by Duffy 'Your Heart Is As Black As Night' performed by Melody Gardot and 'J'ai Deux Amours' performed by Madeleine Peyroux. The movie is set in 1960s London, Jenny (Carey Mulligan) is a bright 17 year old preparing to go to Oxford. After she meets a much older man (Peter Saarsgard) who smoothly romances her with flattery, stories and weekends in Paris, Jenny abandons her University plans, to the horror and consternation of her hard working father (Alfred Molina) and a teacher (Emma Thompson). Jenny must come of age and decide what is her real education. Soundtrack is by noted composer Paul Englishby (Miss Pettigrew Lives for A ! Day) and includes recognizable 60s pop songs performed by Ray Charles, Mel Torme, Juliette Greco and Percy Faith. Duffy will perform a new song written exclusively for this film. An Education is based on the novel by Nick Hornby (High Fidelity, About A Boy) and is directed by Lone Scherfig. An Education received critical acclaim this past year when it debuted at the Sundance Film Festival, as well as at the Berlin Film Festival. It opens in the U.S. on October 9 followed by releases in Europe and Australia.

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Gia (Unrated Edition)

• It's late 70's New York. Studio 54, designer jeans, drugs and disco. This is the outrageous, breathtaking story of the first fashion super-model - her rise to the top, and her fall caught up in a whirlwind of drugs, sex and celebrity.Running Time: 126 min. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 026359154027 UPC: 026359154027 Manufacturer No: 91540

DANCING AT THE BLUE IGUANA - DVD MovieAt the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of five strip club dancers converge over the course of one week. Angel (Daryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood worl! d of the strip club bares each girl inside and out both onstage and off, providing an insight to the story behind the dance. This is a double feature dvd that includes: "Another Day In Paradise" starring Melanie Griffith and James Woods and "Dancing At The Blue Iguana" starring Daryl Hannah, Jennifer Tilly and Sandra Oh.At the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of five strip club dancers converge over the course of one week. Angel (Daryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood world of the strip club bares each girl inside and out both onstage and off, providing an insight to the story behind the dance. Dancing at the Blue Iguana DVD New Special Features: Documentary by Daryl Hannah "Strip Notes", Letter Box, 5.1 Dolby Digital, Production Commentary, Trailer, Director Commentary, Scene Access, Alternate Scenes, Interactive Menus, English and Spanish Subtitles Dancing at the Blue Iguana DVD New Special features: Full Screen version, Trailer Gallery, 2.0 Surround Audio, And More!, Interactive MenusIt's the Late 70's in New York - Studio 54, designer jeans, drugs and disco. One girl is living life in the fast lane. She can have any man or woman she wants. Sex, money, glamour, fame - it's all within her reach. She's a Goddess. She's A Star. Her name Is Gia. There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDS (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes by her talent honestl! y. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza

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Bordertown

• BORDERTOWN (DVD MOVIE)

First published in 1934, Border Town brings to life the story of Cuicui, a young country girl coming of age during a time of national turmoil. Like any teenager, Cuicui dreams of romance and finding true love. She's spellbound by the local custom of nighttime serenades, and she is deftly pursued by two eligible brothers. But Cuicui is also haunted by the imminent death of her grandfather, a poor and honorable ferryman who is her only family. As she grows up, Cuicui discovers that life is full of the unexpected and that she alone will make the choices that determine her destiny.

A moving testament to the human spirit, Border Town is a beautifully written novel, considered Shen Congwen's masterpiece for its brilliant portrayal of Chinese rural life before the Communist revolution.

A powerful story of life on the border between the United Sta! tes and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today.

When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime. Eva, a young woman who was raped and left for dead in the desert, is the only woman to survive an attack. Unable to go to the police for help, she turns to a local newspaper run by Diaz Alfonso (Banderas), former friend and colleague of Lauren s. Hiding Eva is incredibly dangerous, but Lauren knows that publishing her story is the only way to expose the truth behind the murders. She is determined to find Eva s attackers but soon finds herself immersed in a dangerous web of corruption that extends to both sides of the bo! rder.

The long-intertwined communities of the Oglala Lakot! a Pine R idge Reservation and the bordering towns in Sheridan County, Nebraska, mark their histories in sensational incidents and quiet human connections, many recorded in detail here for the first time. After covering racial unrest in the remote northwest corner of his home state of Nebraska in 1999, journalist Stew Magnuson returned four years later to consider the border towns’ peoples, their paths, and the forces that separate them. Examining Raymond Yellow Thunder’s death at the hands of four white men in 1972, Magnuson looks deep into the past that gave rise to the tragedy. Situating long-ranging repercussions within 130 years of context, he also recounts the largely forgotten struggles of American Indian Movement activist Bob Yellow Bird and tells the story of Whiteclay, Nebraska, the controversial border hamlet that continues to sell millions of cans of beer per year to the Â"dry” reservation. Within this microcosm of cultural conflict, Magnuson explores the odds ! against community’s power to transcend misunderstanding, alcoholism, prejudice, and violence.

First published in 1934, Border Town brings to life the story of Cuicui, a young country girl coming of age during a time of national turmoil. Like any teenager, Cuicui dreams of romance and finding true love. She's spellbound by the local custom of nighttime serenades, and she is deftly pursued by two eligible brothers. But Cuicui is also haunted by the imminent death of her grandfather, a poor and honorable ferryman who is her only family. As she grows up, Cuicui discovers that life is full of the unexpected and that she alone will make the choices that determine her destiny.

A moving testament to the human spirit, Border Town is a beautifully written novel, considered Shen Congwen's masterpiece for its brilliant portrayal of Chinese rural life before the Communist revolution.

First published in 1934, Border Town brings to life the stor! y of Cuicui, a young country girl coming of age during a time ! of natio nal turmoil. Like any teenager, Cuicui dreams of romance and finding true love. She's spellbound by the local custom of nighttime serenades, and she is deftly pursued by two eligible brothers. But Cuicui is also haunted by the imminent death of her grandfather, a poor and honorable ferryman who is her only family. As she grows up, Cuicui discovers that life is full of the unexpected and that she alone will make the choices that determine her destiny.

A moving testament to the human spirit, Border Town is a beautifully written novel, considered Shen Congwen's masterpiece for its brilliant portrayal of Chinese rural life before the Communist revolution.

Company town. Blighted community. Beloved home. Nestled on the banks of the Rio Grande, at the heart of a railroad, mining, and smelting empire, Smeltertown--La Esmelda, as its residents called it--was home to generations of ethnic Mexicans who labored at the American Smelting and Refining Company in El ! Paso, Texas.

Using newspapers, personal archives, photographs, employee records, parish newsletters, and interviews with former residents, including her own relatives, Monica Perales unearths the history of this forgotten community. Spanning almost a century, Smeltertown traces the birth, growth, and ultimate demise of a working class community in the largest U.S. city on the Mexican border and places ethnic Mexicans at the center of transnational capitalism and the making of the urban West. Perales shows that Smeltertown was composed of multiple real and imagined social worlds created by the company, the church, the schools, and the residents themselves. Within these dynamic social worlds, residents forged permanence and meaning in the shadow of the smelter's giant smokestacks. Smeltertown provides insight into how people and places invent and reinvent themselves and illuminates a vibrant community grappling with its own sense of itself and its place ! in history and collective memory.Featuring 28 Episodes. In 188! 0, Pemmi can lay at the western edge of the Great Plains. Nearly a decade later, surveyors of the 49th parallel reached the community of 180 to find it straddling the new Canada-U.S. border. Pemmican became Bordertown. It wasn't until the mud had settled that Bordertown's awkward, if not unique, character came to light. Law and order were dealt with on one side by Clive Bennett, a Mountie, and on the other by U.S. Marshal Jack Craddock. Whiskey traders, buffalo hunters, gold prospectors, silver miners, drifters and drunks kept the lawmen busy. Still, clashes were inevitable; they shared an office divided only by a black line--the 49th parallel. Acute rivalry in the pursuit of justice was further complicated by their pursuit of the same woman. Marie Dumont was a widowed Parisian, a sensitive lady of considerable breeding and the town's doctor.

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Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

• 11x17 INCHES

A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film)! . When t he local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker

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Flashbacks Of A Fool [Blu-ray]

• FLASHBACKS OF A FOOL BLU-RAY (BLU-RAY DISC)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attract! ed to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat akin to a parasite dissing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the Cali! fornia setting, both of them handsomely photographed by cinema! tographe r John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry! Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attracted to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat! akin to a parasite dissing its host (it’s a measure of writ! er-direc tor Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the California setting, both of them handsomely photographed by cinematographer John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is! the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

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